The
Butanes can easily be described as a hard-headed bunch but we certainly
met our match in Mr. Rapone. It was once said of Al that he was a "guy
who wouldn't accept yes as an answer." Misunderstandings, arguments
and dust-ups occurred regularily yet some pretty good music got made
along side the turmoil. I realize that I didn't grow up in a Zydeco
tradition but I always thought that Al was a fine accordionist (and
even better chef!) and pairing him with the Blues-based Butanes seemed
to be an interesting way of getting to the sound favored by the late
great Clifton Chenier.
Our
first show with Al was arranged by our pal Jim 'Corps Solide' Callen.
Jim had known Al and his sister Queen Ida for many years and recently
began helping a local club, The Ragin' Cajun, with some bookings. Jim
also played rub board with Al and The Butanes but it was his role as
intermediary that was most valuable. Jim's unenviable job was to listen
to each camp and relay the important information to the other. This
cut down on the number of arguments but also lead to Jim "getting
it from both sides."
Al had
a pretty sweet deal going because his wife Alice worked for Northwest
airlines and he could fly anywhere on standby. Between Alice, Jim and
a few others at the airline we could fly the band to gigs with the use
of "buddy fares" that allowed us to also fly standby. There
was a cost to these tickets but it was much less than flying full fare
so we were able to play many dates that otherwise wouldn't have made
much economic sense. We played a New Years Eve party in Detroit, a party
at the Revere, Massachusetts Yacht Club and frequent stands at Fat Fish
Blue in Cleveland. Al joined us more than once during our regular visit
to the Virgin Islands. During a week long trip to California Jim loaned
his convertible to me and John and we had a wonderful side trip to Yosemite
on a day off as well as a few great days in San Fransisco during a beautiful
Bay area autumn. We played a week in Alaska in Anchorage and Soldotna
and returned with a large salmon that Al turned into a most delicious
Court-bouillon.
Al had been talking
for years about recording a tribute to Clifton Chenier. He said he had
a 2 record deal with Blind Pig but had never given them a second project.
The Butanes won some studio time when they were voted Best Blues Band
and Jim lined up some investors and soon we were in rehearsals for the
project. Al had most of the material picked out long in advance but
the last track on the disc, It's My Soul, was suggested by
the man who designed the fine cover art, Chuck Anderson.
After the CD had
been mixed we found out that Blind Pig wasn't interested. For some reason
Al took the master tapes to California, added harmonica (?!) and remixed
the tapes from a wonderful hi-fidelity to tiny transistor radio and
then dropped off the face of the earth. I had been involved in general
conversations with a local record company, Atomic Theory, about releasing
The Butanes Soul Revue's One Night in CD form. I mentioned that we had
this disc sitting around gathering dust and he gave it a listen, liked
it and agreed to release it. The disc received a few nice reviews but
was mostly met with thunderous indifference, too bad as it was nice
set of songs played well.